The Last Pop (two versions)

Version 1: Inanimate Object POV – Word Count 658

I’ve been in the dark for so long I’ve forgotten what light feels like.

The attic is a tomb, silent except for the scratching and scurrying of tiny, clawed feet and the creaking of wood under heavy shoes as the seasons come and go.

The heat swells the tin box that holds me prisoner in summer, and the cold shrinks it in winter. I imagine my once-bright paint must be chipped and faded and likely now unrecognizable—clowns, balloons, a circus scene long blurred by years of neglect—far from how I remember it before they banished me to the attic.

The once-sturdy spring that gives me life is rusted and stiff. Still, I wait. Hope doesn’t die in the dark—not when you’ve tasted the thrill of laughter, the sound of delight bursting from a child’s lips as you leap into their world.

I remember the old days when small hands would wind the crank, each turn tightening the spring that coiled my limbs. Oh, the excitement that filled the air, the anticipation as the tinny tune reached its final note! And then—POP! My jester’s face would emerge, painted smile wide, eyes bright with mischief. The children would laugh, startled at first but soon filled with joy. I lived for those moments, for the thrill of being brought to life.

But those days are gone, lost in the dust of time and neglect. I’ve been forgotten, left to rust in this attic, until today.

I hear it—voices. Young, excited voices, the creak of the attic door that hasn’t been opened in ages. The scuff of feet on old floorboards. My heart—if I had one—would be pounding.

Children.

I can hear them getting closer.

“What’s this?” one asks, his voice filled with curiosity.

“Looks like an old toy,” another says.

I can hear the confusion in their voices and the doubt as they survey the dented, faded tin that’s held me captive for so long. They don’t know what I am.

“How do you open it?” one child asks.

I hear the metallic scrape as small, soft and supple fingers brush against the rough wooden crank. My excitement builds. Could it be? After all these years?

“Wind it up,” another voice urges, and the crank turns, slow at first.

The sound of the old, familiar tune crackles to life, though it’s sluggish and off-key, warped by age. But it’s enough. My spring tightens. My limbs coil.

I wait. One more turn. Just one more.

And then—POP! I explode from the box, my arms flailing, my jester’s face thrust into the light for the first time in years. I’m free! Ready to bring joy, to see the wide-eyed wonder I once knew.

But something’s wrong. The children—their faces are not filled with excitement or laughter. Their eyes are wide but with fear. Their mouths hang open in silent screams. The smallest one stumbles backward, clutching another’s arm.

I would blink if I could. My arms flail awkwardly on the stiff coil, jerking without control. I was made for joy. Why are they looking at me like this?

One child whimpers, “It’s… it’s creepy.”

The words sink into me like rust seeping deeper into my coils. Creepy. That’s not what I am. I’m fun. I’m laughter.

I was laughter.

But no. Not now. Now, I am a relic. A horror.

The children scream, scrambling back, their shoes clattering against the attic floor. In their panic, the one holding me launches me into the air, and I feel myself falling. The world spins as I tumble, the cold metal of the tin scraping against my rusted joints.

And then—darkness.

But I’m still here. The lid… the lid is still open. Even though I’ve fallen, the lid remains wide.

At least… at least I’m free.

And maybe, just maybe, one day, someone will look at me and see the joy I was meant to bring.


Version 2: (Third-Person Omniscient POV) Word Count 725

The jack-in-the-box had been in the dark for so long that it had forgotten what light felt like. The attic was a tomb—silent, except for the scratching and scurrying of tiny, clawed feet and the occasional creak of wood under heavy shoes as the seasons came and went.

In summer, the heat swelled the tin box, warping its metal edges. In winter, the cold shrank it, making the already stiff spring inside feel brittle. The once-bright paint, which had adorned the box with images of clowns, balloons, and a circus scene, was now chipped and faded. The images had long blurred beyond recognition, lost to the years of neglect since it had been relegated to the attic.

The spring that had once given the jack-in-the-box life had rusted and stiffened, but the toy still waited. Somehow, hope hadn’t died. Even in the dark, there was a longing—a memory of the thrill of laughter, the sound of joy bursting from a child’s lips when it sprang into their world.

The jack-in-the-box remembered those old days vividly. Small hands would wind the crank, each turn tightening the spring inside, readying the toy for its grand entrance. The air would fill with excitement as the tinny tune reached its final note, and then—POP! The jester’s face would emerge, its painted smile wide, eyes bright with mischief. The children would laugh, startled at first, but soon their laughter would become uncontrollable joy. The toy had lived for those moments, for the thrill of being brought to life, if only for a fleeting second.

But those days were long gone, buried under the dust of time and neglect. Forgotten. Left to rust in the attic.

Until today.

Young, excited voices shattered the silence of the attic. The long-ignored door groaned as it swung open, its hinges protesting the movement. Footsteps shuffled across the dusty, worn floorboards. If the jack-in-the-box had a heartbeat, it would have been pounding. The voices drew nearer.

“What’s this?” one child asked, voice full of curiosity.

“Looks like an old toy,” another said, uncertain.

They surveyed the dented and faded tin box, not knowing what it once was or what it still held. They didn’t recognize it, couldn’t understand what lay inside. Their confusion was palpable as their fingers grazed the crank, rough and worn from years of disuse.

“How do you open it?” another child asked.

There was a metallic scrape as small, soft fingers brushed against the crank. The toy’s excitement built. Could it be? After all these years?

“Wind it up,” one child urged, and slowly, the crank began to turn.

The familiar, off-key tune began to crackle to life, warped by age and disuse. It was sluggish, but it was enough. The toy’s spring tightened, and its limbs coiled in anticipation.

It waited. Just one more turn. One more.

Then—POP! The jack-in-the-box exploded from the tin, arms flailing wildly. The jester’s face, long hidden in darkness, thrust into the light for the first time in years. It was free! Ready to bring joy and to see that wide-eyed wonder it remembered so well.

But something was wrong.

The children didn’t look excited. They didn’t laugh. Their eyes were wide, but not with joy—only with fear. Their mouths hung open, but no sound came out. The smallest of them stumbled backward, clutching another’s arm.

The toy’s arms flailed awkwardly on its stiff coil, jerking and twitching. It had been made for joy, for laughter. Why were they looking at it like this?

One child whimpered, “It’s… it’s creepy.”

The word hit the toy like rust settling deeper into its coils. “Creepy.” It was no longer the source of fun and laughter it had once been. Now, it was a relic—a thing of fear.

The children screamed, stumbling backward in panic, their shoes clattering across the attic floor. In the chaos, the child holding the box flung it aside. The jack-in-the-box spun through the air, its metal scraping and clattering as it hit the floor.

Darkness enveloped the attic once more.

But the lid of the box remained open, its spring unwound. Though the toy had fallen, at least it was no longer confined inside. Perhaps, one day, someone would look upon it again—not with fear, but with the joy it had once been meant to bring.


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Published by Author Heidi Gray McGill

Heidi and her husband of over thirty years live in South Carolina. Besides writing Christian fiction with relatable characters in life-changing stories, Heidi relishes time with family and friends. She enjoys scrapbooking, playing games, traveling, and building bridges with her grandsons that must fall with a loud crash and usually involve a monster truck.

6 thoughts on “The Last Pop (two versions)

  1. I like the first one because it allows the object ‘jack in the box’ to be dramatically personable sharing how he seen/sees his life and ends with living hope, looking on the most positive outlook one in his position could desire. Hope is a demonstrated in one’s action, and the jester was hopeful.

  2. I enjoyed the second one more. The writing seemed more descriptive of the scene and I could picture it better.

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